Friend for Life
This artwork was created having been inspired by a poem called “The Creaking Front Door” by Ralph Jones.
The Creaking Front Door
By
©R. K. Jones 2193
a man rises from his bed, before the sun in the sky aboveand silently leaves his wife, and the family he loves
as he goes and opens the rickety, creaking front door
walking quietly as his hob nail boots scrape across the floor
looking back towards the stairs
he blows a kiss to his family sleeping up there
stepping out into the frosty early morning air
still in the dark, there is no sunlight there
but sunlight is a thing that he knows little of
when walks down the street, and clears his throat with a cough
he feels the tightness in his chest
as he looks up the hill, to see the pit shaft’s silhouette
a man as quiet as a lamb
but as hard as nails, a real gentleman
a man as big and strong as an oak
who once could take you down, with a single stroke
a man whose hands have paid their dues
but those same hands now, fingers twisted, scarred and blue
he fills his water jack, and collects his lamp
greets his best friend, and slowly walks up the ramp
best friend by his side, he walks up to the pit top
his best friend whistling cheerfully, he never stops
but this friend means a lot to him
a friend that has stuck with him, through thick and thin
has his final smoke, leaves a cigarette and a match in a tin
and hides them in the hitcher’s cabin
everybody knows his hiding place
it might not be there when he finishes his shift in the coal face
get into the cage, just as daylight starts to dawn
when he comes back up, the sun may be gone
they walk into a dark demonic place
the damp unyielding coal face
deep underground, as close to Hell as you can get
hot and humid, he’ll soon be soaking in sweat
crouched up digging, upon his knees
his friend next to him, still whistling cheerfully
he battles with the coal face, which is as hard as flint
through the dust and the gloom, he can do no more than squint
always listening for the timbers to creak
keeping an eye on his oil lamp flame, as the firedamp it seeks
if the timbers crack, or if the flame starts to dance
get out as quick as you can, you don’t take a chance
but this day is like no other
as the gas takes his friend, never to recover
in amongst the grunts and the groans
there’s the sound of silence, as if he’s all alone
he sees his friend is lying on the floor
and the whistling can be heard no more
he carries his friend out of the face, to some cleaner air
but there’s no sign of life there
he’s whistled his last song
and with great sorrow, he knows his friend is gone
to see this big strong man weep
as he looks down on his friend, still hoping he’s asleep
but he knows deep down inside
that his friend so dear, has sadly died
he cradles his friend in his arms, big and strong
and through quivering lips, he says so long
a friend who watched over him, who he loved so dearly
now he’s flying to his last perch, the yellow canary
Ian Mackenzie
Ian Mackenzie is an artist based in South Wales. He works in rich detailed oils on canvas. He has a unique eye for colour and precision and as such many of his paintings represent a photorealism style.
Ians influence to paint comes from the study of the subject, the emotion involved and the interaction with the surrounding environment.
Many of his commissioned pieces have enthused not only the recipient, but also the painter himself by the overwhelming emotion of their positive reaction.
Ian says "this reaction drives me to achieve more. In the first instance art allows me the escape we all desire. But it is the journey of creating a piece of art for someone else that intrigues me giving consideration to the response of the recipient come the final brush stroke"
His work is influenced by the contemporary paintings of Mitch Griffiths, closely followed by Mathieu Bassez and Istvan Sandorfi. He is also an admirer of the master of light and dark, Caravaggio.
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